TSANTSA NOVA

Artefacts of transformation, ritual and charged matter.

BLACK PSYOP, 2018

Ink, iron oxide black, copper, aluminium on paper

42 x 29.7 cm (16.54 x 11.69 in)

UNTITLED, 2025
Oil, egg tempera, tar, ink, aluminium, mother-of-pearl, copper, shellac on cotton
190 x 150 cm (74.80 x 59.06 in)

JACKY – JACQUELINE LEE BOUVIER KENNEDY ONASSIS, 2018

Ink, aluminum, copper burned on paper

Papersize:
29.70 x 21 cm (11.69 x 8.27 in)

Framesize:
37.90 x 50.20 cm (14.92 x 19.76 in)

TSANTSA NOVA

Four sculptural artefacts, 2025

A series of head-like suspended objects made from organic carriers, pigments, resins, metals, textiles and ritual substances. The works examine transformation, symbolic charge and the unstable boundary between body, object and relic.

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UNTITLED, 2014

Oil, ink, tar, pigments, pen ink, boat varnish on Alu-DIBOND

30 x 40 cm (11.81 x 15.75 in)

UNTITLED, 2018
Oil, tar, ink, ink, aluminum, copper, shellac on wood

60 x 50 x 1.5 cm (23.62 x 19.69 x 0.59 in)

ANDY, 2015

Oil, ink, tar, copper, schellack, pigments on canvas

90 x 80 x 1.80 cm (35.43 x 31.50 x 0.71 in)

DIS/PERSION

Fragmented painting / 82 glass vials / digital counterpart

Glass vial from the 82-part edition
Item ID structure: RL/O-25-117-50/82

DIS/PERSION, 2025

Fragmented painting, glass vials, labels, QR codes, digital archive / NFT-linked edition

DIS/PERSION transforms a destroyed work on paper into 82 individually numbered glass vials. Each object contains physical fragments of the original artwork and functions as a material trace, archival unit and digital access point.

DIS/PERSION, 2025

Fragmentierte Malerei, Glasfläschchen, Labels, QR-Codes, digitales Archiv / NFT-verknüpfte Edition

DIS/PERSION überführt ein zerstörtes Werk auf Papier in 82 individuell nummerierte Glasfläschchen. Jedes Objekt enthält physische Fragmente des ursprünglichen Werks und fungiert zugleich als materielle Spur, Archiveinheit und digitaler Zugangspunkt.

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