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R O B E R T   L A N Z

Between Substance and Trace – Painting as a State of Matter

Substance as Language – Matter in Transition

The Surface as Event Horizon – Pigment Processes in the Tension Field between Gravitation and Dissolution

Robert Lanz situates his artistic practice at the intersection of materiality, conceptual rigor, and procedural experimentation.


His work unfolds through overlapping layers of the microscopic and the cosmic, the chemical and the poetic. The surface becomes a resonant field – a space where pigments, metals, stones, and light are not mere materials but active agents in a dynamic process.

 

His paintings are not composed in the traditional sense, but emerge through an experimental logic of reaction, transformation, and decay – akin to geological or biological systems under controlled disruption. Lanz is less interested in the final image than in the painting as a site of continuous transition.

 

His series often span hundreds of works on paper, forming visual ecologies that are both meticulous and volatile. In contrast, his large-format paintings appear as concentrated zones – crystallizations of a process that elsewhere remains in flux.

Pigment as a Cosmic Trace  ROBERT LANZ RL_O-25-119-4_4-_

Color becomes the residual signature of an event – shaped by temporal pressure, gravity, and molecular drift.

UNTITLED, 2012. Oil, tar, shellac, ink, Epoxy resin on wood. 119 x 89.5 x 4.5 cm / 46.85 x 35.43 x 17.71 in. Item-ID: RL/P-12-313

RL_F-24-100_A-removebg-preview    The Image Thinks in States of Matter

Between solid, liquid, and evaporated – painting emerges as a transitional form, a visible expression of thermodynamic systems.

P7093927-Photoroom komprThe Surface as Resonant Space

Every impulse, every response inscribes itself into the skin of the painting – as an echo of light, touch, and entropy.
ROBERT LANZ Item-ID: RL/P-18-643

Matter as a Carrier of Memory

What adheres, remains – pigment particles preserve moments like archives, driven by pressure, friction, and time.
Design ohne Titel (6) (1)

Light as a Form-Giving Force

The eye does not merely see – light itself constructs the image: through scattering, reflection, and quantum flow.
UNTITLED, 2014. Oil, ink, tar, pigments, pen ink, boat varnish on Alu-DIBOND. 30 x 40 cm / 11.81 x 15.75 in

Beyond the image, the field begins.

 

 

RL_O-25-119-3_4-w_PURE_WHITE

Return & Refund Policy | Richtlinie für Rückerstattungen und Rückgaben

Rückgabe- und Erstattungsrichtlinie

 

Originalkunst ist einzigartig – daher gilt:

Mit dem Kauf eines Werkes erklärst du dich ausdrücklich damit einverstanden, dass keine Rückgabe und keine Rückerstattung möglich ist.

Alle Werke auf dieser Website sind Unikate oder Teil streng limitierter Editionen. Es handelt sich um individuelle Kunstwerke, keine reproduzierbaren Produkte. Ein gesetzliches Widerrufsrecht besteht daher nicht gemäß § 312g Abs. 2 Nr. 1 und 3 BGB.

 

Ausnahme – Kulanz bei Transportschäden

Sollte ein Werk beim Versand beschädigt werden, kontaktiere uns bitte innerhalb von 48 Stunden nach Erhalt per E-Mail an store@robertlanz.com mit aussagekräftigen Fotos.
Wir prüfen den Fall individuell und finden eine faire Lösung.

 

Hinweis zur Farbdarstellung:
Farben und Strukturen der Werke können je nach Bildschirm und Lichtverhältnissen abweichen. Dies stellt keinen Reklamationsgrund dar.

Return & Refund Policy

 

All artworks are unique – therefore:

By purchasing a work, you explicitly agree that no returns and no refunds are possible.

All works offered on this website are originals or part of strictly limited editions. These are not mass-produced goods, but results of an individual artistic process. According to EU consumer law (§ 312g BGB), the right of withdrawal does not apply in this context.

 

Exception – goodwill in case of transport damage

If your artwork arrives damaged, please contact us within 48 hours of delivery via email at store@robertlanz.com, including clear photos of the damage.
We’ll handle the situation fairly and individually.

 

Note on color representation:
Colors and textures may vary depending on your screen and lighting. This does not constitute a reason for return.